The Origin of Pumba

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The Origin of Phumba

Cheonsa village, located in Uisan-ri, Ilro-eub, is the old location where the father of all Korean situation plays, the ‘ Pumba ' , was born. Pumba expresses the hopes of all our people, who wish to close the history of frustration and tears, and open a new era of joy and prosperity.

Pumba was a poet who performed actively in cultural activities through the art federation at the town hall of Ilro-myeon in 1981. With the production and screenplay of deceased Kim, Si Ra, who was also born in the area, and passionate performance of Jung, Gyu Soo (the 1 st Pumba), the play became a record breaking performance, with the longest performance run of over 4,000 acts.

The Origin of Pumba, the Cheonsa Village

The Origin of Phumba

Rather than its official name of “Cheonsa Village” , this town is more famous as the place of the one-man pumba, ‘ The Beggar Who Never Died and Returned ' , which held its first performance in December 1982, has since become the most famous local play with a run that went for over 4,000 acts.

It is said that a long time ago during a drought, so many beggars converged on what was then the village of Ilro that residents started to complain and asked the beggars why they all came to this town with the drought affecting the area.

They replied, “ We were always looked down upon and cursed in every other town, but here in Ilro, people wouldn ' t chase us away. Rather, people share what little they have, so we decided not to leave and stay put and make it our hometown. ” At this reply, the residents were struck with sympathy and cared for the beggars even more. Thus the name Ilro was changed to Cheonsa Village (village of angels).

Gak seol (beggar) stands for understanding proverbs, which means that beggars who have nothing and are looked down upon overcome their situation by giving teachings of wisdom to us, who live ordinary lives. The most famous of plays would be the Pumba, which shows a side of the beggars who have continued on for 5000 years.

When watching this play, pay close attention to the humor, sarcasm, and dance of criticism.